The Stance

Durational contemporary dance work in large expansive public spaces. Choreographed by Liesel Zink

Liesel Zink was awarded the 2017 Australian Dance Award for Outstanding Achievement in Independent Dance for The Stance.
'This is a magnificent, special artwork. It expresses the drama of a public space in which for over a century many souls have taken a stance in the cause of freedom.' (Matt Foley)
Brisbane's Slipstream Festival 2015
Brisbane's Slipstream Festival 2015
Launceston's Junction Arts Festival 2016
Launceston's Junction Arts Festival 2016
Hobart's Salamanca Moves 2016
Hobart's Salamanca Moves 2016
Sydney's Liveworks Festival 2016
Sydney's Liveworks Festival 2016
Ansan Street Arts Festival 2017
Ansan Street Arts Festival 2017
Budapest's Sziget Festival 2017
Budapest's Sziget Festival 2017

Presentation History

National:

  • Slipstream Festival of Time Based Art (Brisbane) 2015
  • Australian Performing Arts Market (Brisbane) 2016
  • Liveworks Festival, Performance Space (Sydney) 2016
  • Salamanca Moves (Hobart) with Mature Artists Dance Experience 2016
  • Junction Arts Festival (Launceston) with Mature Artist Dance Experience 2016
  • City of Perth Co:Youth City Activation Dance Project (Perth) with Co3 Youth Dance Company 2018
  • Ten Days on the Island (Hobart) with DRILL Youth dance company 2019

International:

  • Ansan Street Arts Festival (South Korea) 2017
  • Sziget Festival (Hungary) 2017

Future Presentations

  • City Contemporary Dance Festival, November 2019, Hong Kong in partnership with West Kowloon Cultural District Authority
  • Parade Festival, Kharkiv, Ukraine 2020

The Stance is a monumental dance and sound performance that investigates the choreography of bodies in protest and questions what it means to put your body on the line for something you believe in. Both highly political and physically demanding, The Stance is an imposing act of endurance that channels the history of public protest and recent acts of global action, activism and intervention

An ensemble of nine dancers perform to a remarkable live score of music transmitted through wireless headsets creating an intimate viewing experience for the audience. This intimate viewing experience is designed to prompt audiences and passers-by to consider the politics of mass movement and the ownership and control of what is considered public property. It questions why: Why do we protest? What makes us go to the street to march? How do we protest? How much are we willing to sacrifice to create change? Are we making an impact or is this becoming an empty action?

Each different version of The Stance is unique to the city that it is developed and presented in; showcasing local dancers and interweaving the politics and history of the presentation site into the movement and sound.

The Stance was first created with the support of Metro Arts, and originally produced by Britt Guy. It has also been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body. The Stance in Tasmania was seeded by Dance Satellite, curated and produced by Britt Guy. The Sydney premiere of The Stance was presented at Liveworks Festival of Experimental Art by Performance Space, Sydney 2016.

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© 2019 Liesel Zink. All Rights Reserved.

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